Eunji Lee (은질리) is a typographic designer currently based in the Netherlands. She is interested in poetic approach/gestures, combining analogue medium within digital making and creating dynamics using typographic decision making and font curation.
Yang-ha's archive book consisting of two solo exhibitions The Alert Rings at Noon on the First Monday of Every Month and Open the Window.
Zine publication containing experimental writing of Sae Kwon in Japanese and translated in Korean by Yuki Konno
Collection of found rubber hose photographs by Yuka Nakashima, and reinterpreted visual creations made by Eunji Lee
Poster design for Paradise in Disguise, 2022
Through this candy pack, I hoped to open up people’s mind a little bit and positively change the perception of sexuality. @tprtl.zosel
“A dump not only devours everything, preserving it forever, but one might say it also continually generates something: this is where some kinds of shoots come from new projects, ideas, a certain enthusiasm arises, hopes for the rebirth of something, […] ”
Ilya Kabakov, “The Man Who Never Threw Anything Away”, 1977
All images taken from IISG, Amsterdam, and edited by Eunji Lee.
Invitation design for a fictional exhibition directed by Elie June
Identity design of Lucid Mortal, a Death Planning company in 2083;
Screen-printed leporello pamphlet
Class publication of reactions to a list of photos selected by Bart de Baetes
(Third Image) Cover designed by Ian Scheufler
Reflective but not reflective ceramic pond
Re-designed an article of David Foster Wallace's speech featured in Harper's Magazine(1998) Original pdf
Syllabus (incl. wood stand) used as a material for performance; Collaborated with Wen-Hsuan Yu
Performer: Wen-Hsuan Yu
Typeface inspired by cable ties
